The Seven of Cups kind of gal is imaginative, and often caught up in a world of possibilities. They tend to see life through a lens of wonder and may escape into a world of their own creation. The Seven of Cups person is known for their ability to envision.
When we think of Seven of Cups we may think of an ideas kind of person, a person who has a vibrant imagination and is not afraid to explore various paths in life. Liz Ham is one of Australia’s most in-demand photographers and if her World Pride Portraits at the Power House Museum are any indication she is definitely able to explore many life paths.
Her zine Punk Girls, started out as a small project and quickly escalated over a 6 year period as she encountered an increasingly inspirational community of Australian female-identifying people who channelled the punk spirit through their actions, ideologies and personal style.
As we neared the 40th anniversary of punk she realised how subversive and important these women’s stories and experiences were – how much more punk they were to be fighting and pushing against not only societal norms, but gender bias at the same time.
Having witnessed how many women in punk scenes had been marginalised, misrepresented and had their anecdotes and histories erased she wanted to explore and pay respect to a movement that is consistently shifting, evolving, and to a community of fierce, devoted, strong and diverse women.
The Seven of Cups could well be interpreted to be about a boundless imagination. However it is important to give our dreams structure and support. Rachel Pollack puts it best, in Seventy-Eight Degrees of Wisdom:
Emotion and imagination can produce wonderful visions, but without grounding in both action and the outer realities of life these fantastic images remain daydreams, ‘fancies’ without real meaning or value. … They lack meaning because they don’t connect to anything outside of themselves.
It’s all well and good to be imaginative and curious but if ideas, callings, desires etc aren’t acted upon then they remain like the symbols in the card: figments of your mind, or rather, your heart. Of course there are some fantasies that one should be cautious about actually acting upon and Van Life is certainly one of these.
Running away to join a circus, selling up everything and living in a van sounds very appealing, especially if you are suffering from burn out in the work force. Since the pandemic, as people have fled the cities, the internet has been awash with curated stories about how exotic life is when you hit the road live in a camper van. It all sounds very romantic.
Colloquially known as #VanLife the growing movement of people living in vans, often gaining a large social media following while doing it, keeps increasing. Apparently there are four million posts with the hashtag on Instagram alone so it is certainly no longer just the domain of retiring grey nomads.
But some van dwellers are blunt and will tell you that the reality of life on the road is vastly different to the highly curated, picture-perfect and peripatetic lifestyles that social media shows.
Casey Hawkins
Casey Hawkins is one of these honest individuals. She explains that it can feel as though life has no filter when you are on the road. She points out that living in a van is different is very different to living in a tiny home because no matter how hard you try, a van is not a house. It is always in a public space and you can’t comfortably stand up, move around, watch TV, or just dance around the kitchen in your underwear! Perhaps more importantly you really don’t want to get sick or have an injury.
So beware of seven of cups moments like this. If you are dreaming of hitting the road make sure to do some research because there are many more elements to consider. Unless you have a really luxurious motorhome, for example, after a while you will miss your four walls and a hot shower, especially in winter.
Your ideas may be wonderful, but can you make them real? What can they really mean, here, in your life? The Seven of Cups asks you to ‘make the impossible possible’, to actively manifest your desires, rather than admiring them as daydreams. In order to put in this energy, you may need to let some dreams go. Focus on what really lights you up, and don’t be afraid to leave some of your dreams behind (if only just for now). Let your heart guide you to choose the meaningful over the superficial.
“Emotion and imagination can produce wonderful visions, but without grounding in both action and the outer realities of life these fantastic images remain daydreams, ‘fancies’ without real meaning or value. … They lack meaning because they don’t connect to anything outside of themselves”. Rachael Pollack
Traditionally the Seven of Cups shows cups filled with various gifts. Biddy Tarot writes that “some cups bear desirable gifts such as jewels and a wreath of victory. But others hold gifts that are not gifts at all; instead, they are curses, such as the snake or dragon. The clouds and the cups symbolise the man’s wishes and dreams, and the different gifts inside suggest that you need to be careful what you wish for as not everything is as it seems”.
By contrast, this rendition by Lisa de St Croix features tea leaves, which she notes depict fantasies, hopes and dreams. In a world where material wealth is so unevenly distributed its worth taking moment to introduce seven Australian philanthropists in the hope that something flows from their cups of generosity and commitment. Be in no doubt! These women acted on their dreams.
Australian women’s philanthropy has its roots in charitable work. Nineteenth-century women who, like Lady Clarke, were able to supplement their voluntary work with large financial contributions were few and far between, and were inevitably the wives and daughters of wealthy men. Australia did not have the aristocratic wealth of the United Kingdom, where Baroness Angela Burdett-Coutts gave away close on £3 million before the turn of the century. Nor did it have the vast wealth of the industrialising United States, allowing twelve women philanthropists in Chicago alone to give nearly $800,000 to charitable causes in the 1880s.
However this is not to diminish what Australian women have contributed to Australian society.
Janet Marion Clarke was born in 1851, the eldest daughter of pastoralist and later parliamentarian Peter Snodgrass and his wife Charlotte. Educated, apparently at home, in literature and the classics, she rose to prominence in 1873 when she became the second wife of wealthy pastoralist, William Clarke, who had previously employed her as a governess to his children. Schooled in her responsibilities by Lady Bowen, wife of the Victorian Governor, she used the family property at Rupertswood and their East Melbourne mansion, Cliveden, to establish herself as a society hostess. By the beginning of the twentieth century, the now widowed Janet, Lady Clarke was at the head of many philanthropic enterprises in Melbourne. Bestowed with the title, Lady Bountiful, Janet Marion Clarke was upheld as the ultimate example of beneficence in a human being.
Lonely and in many ways shy, Ann Fraser made few close friends, but to those in need, especially the Aboriginals, she showed compassion and generosity. Dispossessed members of the Taungerong tribe had found a refuge at Wappan; in the 1860s they were resettled at Coranderrk near Healesville, but on their annual return for shearing they kept Mrs Bon informed of their treatment by the Board for the Protection of the Aborigines. Her home at Kew was a refuge for the sick and needy and she regularly visited Aboriginal patients in Melbourne hospitals.
Dr Lucy Gullet may have been a socialite but she was also a socially conscious woman. Lucy Gullett ran a private practice in North Sydney from 1912. She was a physician to the Renwick Hospital for Infants 1918-1932 and founded the New South Wales Association of Registered Medical Women in 1921 and the Rachel Forster Hospital in 1925. The Rachel Forster Hospital, offered training for female medical students and catering to the needs of ‘home-tied’ mothers.
Initially directing her philanthropy towards saving infant life, in 1874 Lady Mary Windeyer supported a foundling hospital—to ‘remove temptation to infanticide’—and its reorganization in 1875 as a home (later Infants’ Home, Ashfield) for destitute and homeless new mothers, provided they remained in residence to breastfeed their babies. For older children in need of care, she favoured ‘boarding out’ from orphanages, a system which her friend Caroline Emily Clark had begun in South Australia.
Mary Raine’s story is inspirational. Her humble beginnings were an unlikely launching pad for the success and wealth she came to achieve in her lifetime. Through hard work and the application of business acumen rarely seen in a woman in the early years of the 20th century, Mary Raine went on to build a large real estate empire.
She was a visionary and saw the establishment of the Raine Foundation as a unique opportunity for her life’s work to live on in perpetuity – to grow and develop into something more important and more valuable than the business success and wealth that she had personally achieved. She did this by giving scientists and clinicians the means and opportunity to embark on medical research and to seek answers to questions that were not known in her lifetime. This gift has seen outstanding results and better health outcomes in medical research and will continue to grow and benefit future generations of medical scientists while providing better health outcomes for the general community.
Una B. Porter (née Cato) was a renowned psychiatrist, philanthropist and devotee of the Methodist Church in Melbourne, Victoria. She was the first female member of staff at Ballarat Mental Hospital in 1946. In 1963 she was elected World President of the YWCA and travelled extensively. In recognition of her services to the community she was appointed Officer of the British Empire (OBE) in 1961, and Commander of the British Empire (CBE) in 1968.
Meriel Wilmot-Wright has dedicated her life to making the world a better place. Wilmot-Wright was the first full-time research officer appointed by an Australian foundation. She transformed the Foundation and the nature and administration of philanthropy in Australia. Most notable was the introduction of the concept of seed funding, providing an initial grant and persuading others to continue support for particular projects, such as the Aborigines in Australian Society Project, subsequently continued by the Social Science Research Council.
In 2021, aged 100, she ensured her legacy of giving will last for generations by leaving a gift to her own Named Fund.
Waltzing With Matilda's 